Skip to main content

Acrylic painting techniques that experts swear by

This versatile and vibrant media gives artists the opportunity to work with a wide range to colors and textures. Being opaque and quick dry, they also allow room for any mistakes you might make, you can simply paint over them. Keep reading for everything you need to know about about working with this medium. 
How to mix the paints: Mixing paints is a precise process. It's important to know your color wheel so that you can get very specific colors while working without going down the hit-and-try rabbit-hole. Using a palette knife or a plastic knife is recommended but even an extra brush works.(Remember to not use your watercolor or oil paint brushes for acrylics. Acrylic brushes are typically synthetic.) mix thoroughly and keep in mind that some paints dry a slight shade darker.
 
 
How to stop them from drying out: Acrylics dry quickly which, while a blessing sometimes, can be too quickly hence, not giving you enough time to blend your colors properly. One effective way to avoid that is to mist them with water or just dipping your brush in water before you start painting. Remember you can water down acrylics to get a more watercolor-like effect, which is useful to quickly lie in an under painting to get started, but it works only on specific surfaces.
  
Using gesso as a base: Gesso is a white paint mixture used as a ground for acrylic painting and oils. Linen stretched canvases coated with Gesso provide a more resistant surface to push paint around. Acrylic gesso is slightly different than the traditional variant as it contains latex and helps creating better textures under your paints.

Glazing: Glazing is a wonderful way to seal pencil sketches to paint over, especially a gel medium. Simply pick a color you want to glaze with and mix a little gel medium into it and a little mist of water to loosen it up. Once it's even just apply this glaze over your drawing.
  

Blending with acrylics: Blending can be tricky with this medium. My method to tackle this is to first paint in a layer of white and then add in my required color along one end of the area I want to blend and then stroking back and forth rapidly around the area until a nice gradient is formed in the area. Working wet into wet is the best way to blend but you can also dry blend by laying in color, letting it dry and then brushing another color over it.
Technique to build texture: This technique- using wet in wet and over dry- is best to use when the color or surface underneath is dry. I start by taking some color in my brush and painting a shape into the dry background color and then dragging out the other side of the stroke to feather it into the underlying surface. 

Comments

  1. Nice, well informative on acrylic paintings

    ReplyDelete
  2. This is so informative. I always have problem with acrylic paints, its thick, dry out so fast. These points really helped.

    ReplyDelete

Post a Comment

Popular posts from this blog

Tackling shaky hands while sketching/inking

If you've ever tried to sketch then I'm sure you've had to tackle the common problem of  having "shaky hands" which tend to ruin the ink work or sketch you are working on.  Here is a simple drawing exercise to help reduce this shakiness in one's lines and getting more confident with sketching: Draw these shapes 10 times, as straight as possible and without using a ruler: 3 lines- one about 2 inch long, second half the width of the page, and third the entire length of the page.  2 arcs- one about 2 inches long and the other half the width of the page.  A wave about 2 inches long Circles and ellipses of various sizes and orientations--basically fill the entire (8.5x11) page with shapes, lines and waves using felt-tip pens like microns/sketch-pens or just a pencil.  Then draw over them 8 times without making the line any thicker. Ideally it is done everyday before drawing as a warm up, keep doing this and your inking will get significantly better

Finding my inspiration on social media: Santiago Guevara

        Can you imagine what it would be like if creativity worked like a tap? Just turn it on and art flows right out of your hands! Sadly that couldn't be farther away from the truth. For me, finding my inspiration is just as tough as actually creating something out of it. That's why, to avoid dry spells longer than time itself , I like to keep looking for inspiration all around me. Someday i'll look at a pretty flower and be inspired, on other days, although, I have to be considerably less subtle and more direct in my continuous search. Over the past few years I've found quite a lot of artists online that are so beautiful and so inspiring that i just can't help but talk about them every now and then.          My current favorite of these artists would be Santiago Guevara (you can find him on Instagram here  and check out his amazing website here  and  his Domestika course  ). I found Guevara and fell in love with the art instantly; it was as if every stroke was 

Fixing that "Unsalvageable" watercolor piece

     They say watercolor is the most difficult media to work with, but isn't everything difficult before it becomes easy? You will find that most of these "they" are people who gave up on watercolor before they gave it an honest try! In my own experience with watercolor, the coolest thing is that they are mostly not too difficult to fix, that is, once you figure out what exactly is the problem with your artwork.       Here are some common problems I face in my works and my approach to solve them: The composition or the design isn't exactly right : My favorite way to fix this problem is to re-make the study of the composition and practice that on separate spare pages till I get it right and then try to re-work that improved version into my original work which is basically painting over the problematic areas with a slightly more opaque color. I could have sketched/painted it better:  This issue is fairly common with me and frustrating too. My best approach to it is to p